Stick & Stitch Kit Instructions

Hooray! You bought a Stick & Stitch pack of embroidery motifs!

Now what?

First of all, here’s how to use it.

Easy Instructions

Step 1

Cut out the motif you want to use. Leave a little extra all the way around.

Step 2

Peel off the paper backing and stick the film to whatever you want to stitch. You can use this on any fabric, including felt. (If you’re using wool felt I recommend soaking it first to pre-shrink, then letting it dry flat on a towel.)

Step 3

Stitch your design! You can use any stitches and any thread colors you like. There are links to loads of videos teaching all my favorite stitches below.

Step 4

Soak away the stabilizer in cool water. Just drop it into a bowl and let it soak until the stabilizer dissolves. It should only take a few minutes, but something I forget and leave it there overnight. That’s not a problem!

Step 5

Rinse it well under cool running water. You can use a sprayer to get off any stubborn bits – especially if your stitching is particularly dense – but don’t scrub at it, especially if you stitched on felt.

Step 6

Let it dry. If it’s felt, just lay it flat on a towel and let it air dry. If it’s stitched on woven cotton you can press it dry using a hot iron. Just make sure you do it face down on a fluffy towel to keep the stitches from getting smooshed.

Finished!

Frequently Asked Questions

If you’re just getting started, here are a few more posts with more info to help answer some common questions.

What kind of supplies do I need? Not much – a needle, thread, and fabric. The post has more details.

How many strands of embroidery thread should I use?

How do I tie a knot in the end of my thread?

My Four Favorite Stitches

With these four simple stitches you can embroider just about any design! The links all go to video tutorials.

Backstitch – my favorite stitch for lines.

Lazy Daisy – my favorite stitch for drop shapes, perfect for water drops, flower petals, beanie propellors, and more.

French Knots – my favorite stitch for dots.

Satin Stitch – my favorite stitch for filling in solid areas.

Want more?

Additional Outline Stitches

Running Stitch – great for dashed lines, like the flight of a butterfly.

Split Stitch – makes a pretty textured line, similar to a braid.

Stem Stitch – helpful for stitch tight curves, like the ones you’ll have in cursive letters.

Chain Stitch – make a pretty chain texture. I love this one when I need a thicker line!

Threaded Backstitch or Running Stitch – a two-color stitch! Very fancy.

Whipped Backstitch or Running Stitch – another two-color stitch! This one makes a barberpole-style spiral line.

Backstitched Chainstitch – one more two-color stitch. This one is extra fancy and a personal favorite.

Couching – I’m not sure if this counts as “true” embroidery, but I love it!

Additional Fill Stitches

Satin Stitched Points – Tips on how to satin stitch pointy shapes, like bird beaks

Seed Stitch – great for furry animals and grassy fields

Long & Short Stitch – makes fun stripes and shading

Split Stitch as a Fill Stitch – a lovely textured fill, great for areas that are too large for satin stitching

Turkey Work Embroidery – a 3D stitch that makes awesome fluffy eyebrows and flower centers

Other Stitches

Eyes – this is how I embroider small eyes

French Knots with Stems – I like to call this one Lollipop Stitch

Cross Stitch – not counted cross stitch

Fly Stitch – makes a cute little Y shape, great for flies

U Stitch – makes a long U shape, great for feathers and details

Want Even More Tutorials?

You can find all my embroidery tutorials here, including info about stitching on paper, tips and tricks for stitching on felt, information about finishing and displaying your work, and posts about visible mending.

You can also sign up for the free Embroidery 101 email series and get all this tutorials delivered straight to your inbox, one lesson a week. Easy peasy!

Happy stitching!

Finished Pintuck Dress

Woman wearing a patchwork dress and blue scarf outdoors in a park.

Woohoo! I made a dress! A cool, comfortable, colorful dress! From fabric I designed! And a pattern I drafted!

I am so happy right now. 😁 Absolutely grinning from ear to ear.

Let me back up for a minute.

Jo and I started The Wardrobe Project back in March. For me the problem was that I had very little clothing, and most of the pieces didn’t fit and/or didn’t work with each other, so I pretty much wore the same black yoga pants, black tank top, and black cardigan every day. Click through to that post to see a photo of my daily uniform and an inventory of what was on my closet. Sad.

One of my first steps was actually to buy some new clothing that fit my requirements – comfortable, colorful, and well-made. You can see the two dresses and two pairs of pants I bought here.

I loved that purple dress so much that I decided I would copy it. It’s a pretty simple silhouette with a loose fit, so I thought I could figure it out myself, but then I got a notification that Modern Domestic (my local fabric store) was offering a class called Copy Your Favorite Garment.

I’m so glad I took that class! I learned a ton, and having the teacher there to help me out with some quibbly sleeve stuff and a very weird pocket construction was amazing. Thanks, Colleen!

Here’s the muslin I made in the class.

The muslin had a few problems…

Woman wearing a quirky, animal-printed dress with fabric issues, in a library setting.

But none of those problems that really affected the pattern, so I forged ahead with the fancy fabric.

It’s my own design, printed on linen that I washed and dried a million six times to get the shrink out.

And now I have a finished dress!

Woman wearing a colorful handmade dress and blue scarf in a park with trees and people.

I’m wearing it with pants made by me using the Nocturne Pajamas pattern from Sew Liberated.

You can read about my pants adventures here (accidental pajamas) and here (same pattern, but not looking like pajamas).

I’m even wearing socks I knit myself!

Here are a few detail photos of the dress. It’s even better than the original!

It has pintucks down just the bodice part of the front.

Close-up of colorful geometric patterned fabric for a pintuck dress.

You can also see in this photo that I opted for a neck facing instead of the bound neckline in the original dress.

I switched to a prettier (and easier to construct) pocket.

Vibrant geometric fabric with triangles, circles, and abstract shapes in blue, purple, and green.

The original just has a side seam opening. On mine I gave it a pretty curved opening with a nice facing.

In that photo you can also see my seam finishes. They’re all French seams that I topstitched down. Here’s what that looks like from the inside.

Close-up of a finished dress seam.

I did that on every seam. A lot of people think you can’t do French seams on an armhole, but you can.

Colorful geometric patterned fabric with shades of blue, purple, and green.

So neat and tidy. 🙂

And now I need to make another!

I’ve been wanting a dress I can wear to Portland Thorns games – instead of the too-small jersey I have. 🫤 I think this fabric will be perfect (and something I can wear for everyday, too) so I’m ordering some today.

This is Spinal Top – An Upcycled Smocked Shirt Project

Black shirt with smocked back spine design, outdoor urban setting, red and green foliage.

Since I’ve started re-vamping my wardrobe, I’ve been getting SOOO much smocking content on my Instagram. Smocking was never something I’d been interested in before, but I kept seeing videos of people using smocking to add a “spine” to the backs of button-downs. This post from purpleivvy on Instagram is an example of what I’m talking about. It seemed like it would be a quick, fun way to add a pop of excitement to a basic shirt. 

I picked a shirt out of my wardrobe that fit, but was a little baggy. Honestly it made me look like a line-cook. In a true power-move, I forgot to take a photo of what the shirt looked like before. Please enjoy this photo from a website that sells black shirts for line cooks. It’s honestly a pretty perfect representation of what the shirt looked like. 

Woman chopping red bell peppers in a modern kitchen , wearing a classic line-cook shirt.

With that out of the way, I started in on the smocking. I watched a couple short tutorials on Instagram to get me started. The one that I found the most helpful was this one by im.morii17. She has a bunch of smocking tutorials for various patterns. If you’re at all interested in smocking, I would definitely check her out. 

The smocking process in this case is pretty simple. I drew a grid with chalk onto my shirt (and I of course drew it on the outside, which is the wrong side, so I had to redo it on the inside.) Then I drew lines on the squares that I needed to stitch through for the pattern I picked. 

Drawing of a smocking pattern on black fabric for smocked shirt project.

It’s a little brain-twisty at first, because the line is telling you which two corners are going to touch, not the line that the fabric’s going to fold on. I had to watch the tutorial a few times before I really got it. 

Honestly, this part of the project was really quick. I watched a few episodes of tv, and then I was done. This is what it looked like right out of the dryer. 

Back view of a person wearing a black smocked shirt on a balcony with cityscape background.

I ran it through the washer and dryer to get all the chalk off, and then it was time to hem it.

I’m not going to lie to you guys, this hem gave me SO much trouble.

The smocking really warped the back of the shirt. I expected that, but I didn’t expect just how hard that would make hemming it. I will also tell you at this point, that hemming it was such a frustrating pain that I didn’t take any photos until I was finally done.

Here’s a brief rundown on what I did. 

My plan to just take a rotary cutter and omnigrid to the bottom of the shirt didn’t work out. Instead, I put the shirt on, and my mother marked my hemline all the way around. We couldn’t just measure up from the bottom, or down from the top because of all the warping of the smocking, so we had to eyeball it. I trimmed and hemmed to that length and then tried it on. It was too long, and I didn’t like the fit of it. It fit a bit like the Ivy Sweater that I made a while back that I also didn’t like the fit of. Go figure. 

We tried taking in the sides to improve the fit, but that made it uncomfortable, and it made the smocking on the back pull more, which choked me a bit. So that didn’t work either. 

We settled on something that was tedious, but worked. I unpicked the previous hem, and my mother pinned up a new hem while I wore it. We eyeballed it again, which ended up being the best option all around for this shirt. I basted the new hem down right on the fold line. 

Close-up of a person wearing a black shirt white basting at the hem.

From the outside it looks like a perfectly normal hem, but look at it from the inside!

Black smocked shirt with arrows indicating hem measurements, on purple surface.

Totally irregular!

I trimmed out all the excess, and then did a standard ½ inch double fold hem. 

After that, I was finally done! I think that hemming the shirt took longer than the smocking did. 

Black smocked shirt with back smocked spine detail on a person outdoors.

And here it is from the front.

Person wearing a black shirt with a stand collar on a balcony.

I’m happy with how this turned out in the end, but I definitely think there was an easier way to get there. I think that if I did this again in the future, I would do the smocking on a separate piece of fabric and then stitch it to the shirt. Doing it that way would give me more control over the fit of the shirt.

Drafting a Pattern from a Finished Dress – Completed Muslin

Finished muslin of a pintuck dress pattern, gray fabric with quirky print of African animals

Jo and I have been taking a class at Modern Domestic, learning how to draft a pattern from a completed garment. We just had our last class, and this is my finished muslin!

For reference, here’s the dress I was copying.

Woman smiling in a library surrounded by colorful bookshelves, wearing a purple dress and pink scarf.

It’s very loose-fitting, with pintucks on the front and excellent pockets. This is my favorite dress. I wear it all the time and I want a million copies.

I had hoped to be able to wear my muslin, but there are a few problems with it. Nothing that affects the pattern I drafted – just this particular version I made. 🙂

Woman wearing a quirky, animal-printed dress with fabric issues, in a library setting.

Everyone says not to use expensive fabric for your muslin, and they are right. I found this sheet at a thrift store for $3 and it was perfect for testing, but I don’t think I’ll keep it to wear – even though I think the print is super cute and I’m 100% comfortable wearing a dress with a giant, quirky animal print. 😂

  • I didn’t have quite enough fabric to make the dress, so I patched in a weird bit at one shoulder. The seam looks kind of like a yoke seam, or a raglan sleeve seam, but there’s not a matching seam on the other side. Worse, I didn’t mess around with getting the pieced bit on grain, so now it hangs kind of funny.
  • The sheet didn’t have a fiber content tag, but judging from the smell when I pressed it on a cotton setting, I’m pretty sure it’s 100% polyester. That makes it a static generator – especially since I like to wear my dresses with loose pants. So Much Static Cling!!!
  • The fabric is too light weight to hang really well. (Lesson learned from these pants.) But it’s still uncomfortably hot to wear? Weird, but true.
  • My white chalk didn’t show up on the fabric, so I used yellow to make my pintucks. I had to press those lines, and that set the color. It didn’t completely wash out. 🙁
  • I also messed up sewing one pocket, and the opening is so tight I can barely get my hand into it. Oops! Sadly, it’s the right pocket, and I’m right-handed. 😂

So all of that makes the muslin less wearable, but that’s ok. I spent $3 on the fabric and learned a lot!

I decided to remove the bust darts. On a dress this loose and with my body shape, they’re completely unnecessary.

I decided to change the pocket to a different style my teacher showed me. Same basic construction, but a prettier opening, and one I’m less likely to mess up when sewing in the nice fabric.

So that’s the next step! Making this dress in nice fabric!

Remember these socks I made?

Warm knitted socks on colorful geometric patterned fabric, cozy and comfortable footwear for cold we.

That pretty fabric under my feet is the fabric I’m using for my “real” dress. I designed it! I had it printed on linen and I’ve been adding it to my laundry every week for the last month, hoping to get all the shrink out of it before making my dress. 🙂

I’m very nervous to cut into it, but also eager to get started. Wish me luck!

Lemonade Recipe

Fresh squeezed lemonade in glass pitcher and mason jar with yellow straw on red background.

I love fresh-squeezed lemonade more than any other drink. It’s just so delicious!

Here’s how I make mine…

Ingredients

  • juice of six lemons
  • 1 cup hot water (tap hot is fine)
  • 1 cup sugar
  • 5 cups ice water

That’s it!

Juice your lemons. I roll them on the counter first to make it easier to get all the juice out.

Add the sugar to the hot water and stir until dissolved. You may need to heat the water to get it all dissolved, but usually I don’t need to.

Add the ice water (with the ice) and the lemon juice.

Stir and enjoy!

If you want to get extra fancy you can add pureed strawberries, raspberries, or watermelon. Pureed blueberries would probably be good too, but I’ve never tried that.

It’s also fun to sugar the rim of your glass – especially if you use yellow or pink decorating sugar. 🙂

    Upcycled Button-Down Shirt – Making an Asymmetrical Top

    Upcycled button-down shirt with tool and weapon print, before and after transformation.

    I’ve been getting posts all over my Instagram feed of people upcycling button-down shirts. Videos like this by studiobies, this video by ngnganhs, or this video by star.scraps.co just keep showing up in my feed.

    Every time I see one of these videos (which is often), I want to make one of these tops for myself.

    People cut off the bottom of the shirt, and sew it to the buttonhole side of the button band. Then, they use buttons, snaps, Chinese knots, or ties to secure the new flap in place. The finished shirts look a bit like a Korean jeogori, which is the top jacket part of a hanbok. I’ve also seen people call them “cheongsam inspired.” 

    Short-sleeve upcycled button-down shirt with a colorful, playful tool and weapon print.

    I love this cut of top. I have long legs and a short torso, so I think a cropped shirt looks really good on me. I have a button-down shirt in my closet that I LOVE, but I don’t reach for anymore. 

    Button-down shirt with a colorful weapon print ready for upcycling - on a city balcony.

    The color and pattern of this shirt are both perfect. All the designs are from horror movies (which I love). It’s a fun pattern that doesn’t feel over the top. 

    Why don’t I wear it? It’s too long. I used to wear tucked in button-down shirts every day, but I just can’t anymore. It’s too hot. I overheat SO easily, and tucking in shirts just traps the heat in. I pulled this shirt out of the back of my closet and got to work. 

    Cutting the Shirt Apart

    I started by putting the shirt on and marking where I wanted my final hem to sit. Then I marked an inch down from that line to account for my hem. I used a rotary cutter to chop off the bottom so I could get a nice straight line. 

    Upcycled button-down shirt with a weapon print laid flat on a cutting mat.

    BE WARNED. Some button-downs come with spare buttons sewn onto a side seam. This may seem like common knowledge, but I forgot, and almost clipped my spare buttons with the rotary cutter. 

    Once I had the bottom chopped off, I seam-ripped the two front pieces off the back piece. The big curved back piece is going to be the new front flap on this shirt. The beauty of this upcycle is that you really don’t have to design anything. The curve of the front flap is already decided for you, because you use the existing curve from the bottom of the shirt.

    Adding a Lining

    I took that curved piece and added a lining. This step is optional, but I wanted to be able to wear the shirt slightly unbuttoned if I wanted.

    I didn’t want to lose any fabric from my front flap piece, so I (very carefully) seam ripped the original hem and pressed it open. Then, when I laid my lining down, I just sewed over the original hem’s seam line again. No fabric lost. 

    Fabric piece with weapons aprint pattern for upcycled shirt project.

    I also sewed across the top edge, so that would have a clean finish.

    Sewing on the New Curved Flap

    The next step is to sew the flap to the buttonhole side of the button band. To do this, I unpicked one side of the button band, and slid my new front flap in until it hit the buttonholes. After I sewed and pressed that seam, I went over it with a row of top-stitching so my front flap wouldn’t awkwardly bow up at all. While I was at it, I added a line of top stitching all around the front flap. I probably didn’t need to do that, but it looks really nice. 

    Dark fabric with horror-themed illustrations of masks, weapons, and blood splatters.

    Finishing the Upcycled Shirt

    We’re in the home stretch now! All that’s left is adding buttonholes and buttons, and hemming the shirt. I opted to wait to hem the shirt until I had done the buttonholes, but I don’t think it really matters what order you do the steps in. 

    Upcycled button down shirt with weapons and skull pattern.

    I made sure that I had enough fabric below my last button to still do the hem like I wanted. I used the fancy automatic buttonhole setting on my mother’s machine, and it was MAGICAL. I feel like they turned out so professional looking. 

    I did a simple ½” double fold hem, and then the last step was sewing the buttons on. I confess, even after years and years of sewing, I still looked up a tutorial on how to sew buttons tailor-style. I followed this video by Paige Handmade. I thought it was super clear, and straight to the point!  

    Upcycled button-down shirt with tools and weapons print, styled for casual wear.

    And then I was done! I absolutely LOVE how this shirt came out. It’s the perfect length for me, and I love the asymmetrical look. It’s light and breezy for the summer, but it’s still polished enough that I feel a bit dressed up. (But it’s not so polished that I feel like I can’t wear it with jorts.) 

    If you’re a button-down shirt in my closet, count your days. I’m about to do this same upcycle to all the button-downs I own. I’m so glad I was able to turn a shirt that I didn’t wear often into a shirt I can’t wait to wear out.

    Nocturne Pajamas Pattern – But Not Pajamas!

    A woman wearing handmade black pants, with a colorful patchwork jacket, smiling against a pink background.

    I sewed a new pair of pants! And they don’t look like pajamas! And they look good with a jacket I already had in my closet, but had nothing to wear it with! Wins all around!

    I used the Nocturne Pajamas pattern from Sew Liberated – but I didn’t make pajamas. I made leaving-the-house pants! 😁

    Really, elastic-waist pants are elastic-waist pants. Right? I learned from my Accidental Pajamas that it’s the fabric choice that makes them look like pajamas. This time instead of cotton sateen in a fun tiki bird print, I used black tencel twill. What a difference!

    First of all, I love tencel twill. I used to have a pair of cargo pants in this fabric and they were divine – drapey and soft with a nice hand and a lovely sand-washed texture. These are just the same. The added weight and softness makes them hang just right – unlike the tiki pants that looked huge on me. I’m so glad I decided NOT to go down a size based on that fit, because my new pants are perfect. They’re loose and comfortable, but I don’t look like I’m swimming in them.

    Like my other versions of the Nocturne pattern, I changed the pockets from side-seam to set-in-slash pockets, but we’ll still have to wait for the tutorial on that. Since I was using black fabric that looked pretty much the same from both sides, it was IMPOSSIBLE to get photos where you could see what was going on. 🙁

    Other than that, I made the pattern exactly, with no modifications. I used the low-rise option with the standard waistband. They’re quick and easy to sew (even using French seams) and come together in an afternoon. I got the fabric from Stonemountain and Daughter. It was deadstock so I won’t be able to get the exact same thing again, but they had other tencel twills that I’m eager to try, including some nice tone on tone stripes that I think will make pretty pants.

    Bonus – when I inventoried my closet, one of the things I mentioned was a beautiful kantha jacket that I loved, but I had nothing to wear it with. Now I do! That’s the jacket you see in the photo.

    This one was a huge sewing win! Woo hoo!!! 🎉

    Ivy Sweater – Knitting Pattern

    Ivy Sweater – Petite Knits.

    At Rose City Yarn Crawl this year, I went to the Boss Kitty trunk show, and saw the most amazing mohair. 

    Green yarn skeins for knitting or crochet, close-up of soft, vibrant fiber.

    Neon green is my absolute favorite color, so I knew I had to make something out of this. I had already printed out the pattern for the Ivy Sweater by Petite Knit, and thought it would be a good choice. In a lot of her patterns, she holds a strand of mohair with her working yarn. I thought this pattern was one of them, but when I went to cast on, I realized that wasn’t the case. 

    For my base yarn, I used Cascade Yarns’ Friday Harbor in the color black. It’s a super soft wool and silk blend. When I first picked it up in the store, I thought it was an uber-soft cotton. It was the perfect non-fussy base to use with the temperamental mohair. 

    I was able to get gauge with one strand of mohair, my worsted yarn, and the needle size she recommended. My fabric was fairly structured, probably because of the added bulk of the mohair. I like that kind of fabric, but if you wanted something drapier, I would probably recommend not holding a mohair with the worsted, but your mileage may vary. 

    For my measurements, (bust 39 ¾) I made a size 5. I usually like my tops to be fairly form-fitting and I had to keep reminding myself that I was intentionally making something with a loose boxy fit. 

    When I tried on the top to test the body length, I almost frogged the whole project. I sent truly incredibly blurry photos to a friend—and former yarn-store co-worker—of mine. She was able to talk me off the frogging ledge, and reminded me that blocking fixes all sins. 

    Bright green textured knit top worn by a person taking a mirror selfie, showcasing the garment's det.

    See? I told you they were so blurry. I have a smart phone for taking blog-post pictures, but I use a flip phone in my day-to-day. 

    My main problem was the hemline. It sat where I wanted it to sit, but it was bunching up in an unflattering way. In addition to that, the hem was supposed to roll, which I liked, but it was rolling too much, which I didn’t like. 

    This stage of the process is also when I decided that I wasn’t going to do full-length sleeves. This has less to do with aesthetics and more to do with how hot I get in knit sweaters. This thing was already warm. Adding full sleeves would probably have me melting like the wicked witch. 

    One important thing to note. Fashion rules say that the sleeve hemline and the body hemline should be at different heights. This helps a finished garment not look super boxy, and also gives it some visual interest. When I decided to shorten the sleeves, I wanted to make sure I followed that rule. I chose a sleeve length that ended right above my elbow. It gave me more than a t-shirt, but less than a full sweater. Most importantly – that length wouldn’t chafe against my inner elbow.

    Close-up of a green knitted sleeve on a pink arm in a craft room.

    After that, it was pretty much done! The only thing left to do was to weave in the ends and block it. I took pictures of the fit before blocking. 

    A woman taking a mirror selfie in a bathroom with a shark-themed shower curtain, wearing a green tex.

    How I pinned it for blocking. 

    Soft, colorful foam puzzle mats with a green artificial grass rug on top, placed near a window with.

    And….the fit after! 

    A woman standing outdoors on a balcony with a cityscape background, wearing a green textured sweater.

    Honestly, I don’t love the fit.

    It looks fine from some angles, but from other angles it drapes in a way that I’m not crazy about.

    A lush green fuzzy sweater worn by a person outdoors in an urban setting.

    I’m thinking of some ways that I can cinch the waist in, maybe with some Chinese knots or a metal buckle situation. I love the feel and look of the fabric, so I’m definitely not giving up on this shirt, but I think I can add something that will improve the fit. 

    I’ll report back on the results! 

    I Knit My First Pair of Socks!

    handknit socks on shades of green, blue and purple, on a coordinating fabric background

    I knit my first pair of socks! And they fit! And I love them!

    This is my second knitting project, and I know a lot of people right now are saying, “Whaaaaaaa…?! Socks are NOT beginner friendly!”

    But here’s the thing.

    I really wanted to make socks!

    I know from my disaster of a garter-stitch scarf that I don’t like boring projects that I’m not going to wear. I’m patient, I can follow instructions, and I’m ok with a slightly-more-complicated pattern if it’s to make something I want to wear.

    I don’t like wearing shorty socks, but store-bought socks with longer legs often cut off the circulation in my calves. I don’t know why – I don’t have especially large calves – but they do. The last time I found some that didn’t, I bought a whole bunch, but that was years ago and that batch is starting to wear out.

    I needed new socks, and I can’t keep asking Jo to make them for me. 😂 I mean, she’s happy to make me socks, but I know there are other things she wants to knit, too.

    Plus, I wanted a small project that I could carry around with me now that my sweater-in-progress is getting unwieldy.

    So I knit a pair of socks! Jo helped me choose yarn and a pattern, and I was off to the (very slow) races. 😂

    Here’s my yarn.

    One skein of Malabrigo Ultimate Sock Yarn in the color Indiecita - blue, green and purple

    Jo recommends wool with a little bit of nylon added for durability, and I love Malabrigo, so I picked their Ultimate Sock Yarn in the color Indiecita. So pretty!

    Jo helped me choose a pattern, too. I used The Ribbed Sock from New Wave Knitting. Jo has made me socks using this pattern before, and it has a very cool feature. You choose your yarn (pretty much any weight is ok), knit up a gauge, and then input that number into the pattern. The pattern then calculates everything for you! Magic!

    I used double-point needles, which were a little hard for me to manage at first, but I got used to them. It just took me a little while to figure out the best way for me to hold everything comfortably – which is, I think, the story of everyone’s knitting and crochet life. 😂

    And now I have a pair of socks!

    One pair of ribbed hand-knit socks in dappled green, blue and purple.

    I maybe didn’t do the best job blocking that lower sock, but ¯\_(ツ)_/¯ oh well. 🙂 They still look great on.

    I’ve cast on for a new pair, also ribbed, but this time using a different kind of heel. I’m also trying 9-inch circulars (Stacey’s favorite method) instead of double-points. The jury is still out. It’s definitely faster now that I’m into it, but that first round was a beast with those itty bitty needles. Not even a little bit fun. 🙁 I’m also going to try the magic loop on my next pair, just to try all the options to see which one I like best.

    And here’s one more look at my finished socks.

    One pair of handknit socks in shades of green, blue and purple, on a coordinating fabric background

    Don’t they look pretty with that fabric?

    I’m starting a class next week to learn how to draft a pattern from a finished garment, and this is the fabric I plan to use to make a copy of the purple dress in this post. It’s linen, so I still need to wash and dry it two more times before the class starts. (Lesson learned.)

    I can’t wait!

    I Saw the TV Glow – Upcycled T-Shirt

    You may have seen my previous post about my Silence of the Lambs T-shirt. I made another upcycled t-shirt in the same style! This one is based off the movie I Saw the TV Glow.

    I saw “I Saw the TV Glow” (try saying that ten times fast.) with a friend of mine, and we both loved it. Her birthday was a couple weeks ago, and I made this shirt for her as a birthday present. (Ignore that it’s two weeks late.) 

    I used all the skills I learned from the Silence of the Lambs shirt to make this one. Overall, I thought the process was much faster, and much smoother. 

    I based my design off the movie poster. 

    I chose the TV as the motif for the shirt. I thought that adding the silhouette of the person in front of the TV would make the shirt too busy, and having the bottom of the body randomly cut off in the middle would have looked weird. 

    I followed the exact same steps that I did for my Silence of the Lambs upcycled t-shirt, but with a TV instead of a moth. 

    I printed the pattern on Heat & Bond Featherlite, and fused the pieces onto the t-shirt fabric. Then I cut out the pieces and fused them to each other. 

    For the TV screen, I wanted a fabric that imitated TV static. I ended up getting two options for this. One was a heathered magenta shirt, the other was a pair of pink athletic leggings. I ended up using the leggings because the horizontal texture they had looked more like TV static.

    I didn’t love working with this fabric, and I would suggest sticking to t-shirts if you were doing this at home. I felt like the athletic fabric was a bit thick for the needle—when I stitched through it, it felt gummy. Maybe using a ball point needle would have helped? But I didn’t think of that until the next day.

    For my Silence of the Lambs shirt, I needed to have a backing piece of black fabric behind the moth design so that I could completely cover the design already printed on the shirt.

    Here’s the t-shirt I started with.

    Even though the motif is large, I probably could have covered the t-shirt design with just the TV, but I still opted to have a backing piece. You can see here that I just fused it to a rough black rectangle.

    Sewing the TV to that backing piece made outlining the TV much easier. If I had just fused the TV right onto the shirt, I would be wrangling the shirt while I tried to do my precise outline. 

    Somehow, I didn’t get a single picture of the TV after I outlined it, but before I stitched it to the shirt. Hindsight is 20/20, I guess. After I did my outline stitching I trimmed the backing fabric to about 1/4 inch (maybe a little more) all the way around the edge, echoing the TV shape.

    I ended up doing something a little funky with the thread for the outline.

    Like the title suggests, in the movie poster, the TV is glowing.

    I couldn’t make the fabric glow, but I was able to find some pink glow in the dark thread. It’s a peach color, which is not the bright magenta of the movie, but I was determined to make it work. I got a magenta thread that matched the fabric that I chose for the screen, and I used both threads for the outline.

    Normally, for applique, I do three passes for the outline. For this project, I did four passes: two with the magenta, and then two with the glow in the dark. It still reads visually as very magenta, but if you let it charge in the sun for a bit and go into a dark room, the outline glows! (I tried to get a picture of the glow, but it wasn’t bright enough to show up on camera.) 

    With that, the front of the shirt was finished, and it was time to move on to the back. I wanted to put two things there—a quote from the movie, and an embroidered motif, also from the movie. 

    I had a vision for this shirt. For the quote on the back of my Silence of the Lambs shirt, I used whatever colors and letters I had. For this, I wanted to try and stick with one color theme. I picked letters that were all different shades of pink and purple and used them to spell out “There is still time.” 

    I sewed them down the same way that I did for the previous shirt, but with two new tricks. I made sure that the adhesive on the back of the letters went ALL the way to the edges. 

    I also remembered to change my needle this time! Last time, I hadn’t changed it after sewing through the paper of the fusible adhesive on the black backing. This time I remembered, and sewing the letters down was snarl-free. 

    I did forget one thing that I learned last time. In fact, I can almost guarantee you that I’ll forget it again, because I always do.

    I didn’t use a press cloth when I started fusing the letters down, and I once again got plastic residue on my mother’s iron.

    (It cleans off quick with a dryer sheet, but it still smells bad.)

    The original post about ransom note upcycled t-shirts by Swoodson Says says to use a presscloth, and I said in my Silence of the Lambs post that you should use a presscloth. Even with all that, I still forgot again. 

    It wasn’t a huge deal, and with the presscloth I was able to fuse the letters down and sew them in place. 

    You may have noticed something else on the back of the shirt. A little ghost above the letters. This is the embroidered motif I mentioned. In the movie, this ghost glows on the backs of the characters’ necks. I thought it would be fun to embroider the same image on the back of the shirt. I really wanted it to glow pink in the dark.

    I bought a glow in the dark braid that seemed promising. It looked great on the spool, but it didn’t work for this project.

    The thread was thick and plastic-y. I expected that. It comes with the territory when you’re looking at glow in the dark stuff. Sadly, it just didn’t work with the t-shirt fabric. I couldn’t pull the thread tight on the t-shirt without the whole shirt bunching up, so the thread wouldn’t lay flat, and it made my lines look sloppy. I think that this thread would work great on a thicker, more stable fabric.

    I ended up swapping to a magenta embroidery thread, and I think it looks much better. 

    And that’s it! 

    Custom "I Saw the TV Glow" T-shirt with retro monitor and ghost design.

    I’ve really been enjoying upcycling old t-shirts this way, and I was glad to have an excuse to make another one so soon. I hope my friend enjoys it! (Even if it is two weeks late.)