How to strand yarn in color changes: a video tutorial

Every Tuesday, I post a helpful tip… and this week, I’ve been getting a lot of questions about how to handle the unused yarn while crocheting with two colors. (It’s funny: you wouldn’t think there would be trends in customer questions, but there certainly are!)

For today’s post, I’ve made a video showing you how to strand your yarn while working color changes.

Which technique should you use?

When you’re working with two colors in crochet, there are a quite a few ways that you can handle the color changes. You can:

  • Cut and re-join the yarn at every color change
  • Use separate balls of yarn for each section of color (called ‘Intarsia’, this technique works best with large blocks of color and when working in rows)
  • Carry the unused yarn along the back of the work (called ‘Stranding’, and works best over short color-changes)
  • Strand, then cut and tie the yarns (a technique I developed for handling long color changes, worked in the round)
  • ‘Crochet over’ the unused yarn (this resolves some problems caused by stranding, but the unused yarn is often visible through your crochet)

That’s a lot of choices, right? Which technique you use will depend on how many stitches are between your color changes, and whether you’re working in the round or in rows.

How to use the stranding technique: the video

Stranding is best used for short color changes, and can be used in rounds or rows. Therefore, it’s a technique that comes in handy, often!

Here’s the video where I show you how it’s done!

Pattern: Nel, the Tiny Owl

Want to discover a whole new world of patterns? Try reading crochet charts!

I adore Japanese craft books. It doesn’t matter if the craft is sewing, crocheting, needle felting… you name it and I can guarantee that you’ll find a supply of irresistible Japanese books on the topic.

Just one example of the crochet fabulous-ness that comes out of Japan.
Of course there’s a little bit of bad news that accompanies this discovery: many of us (myself included) don’t read Japanese.

Meet your friend: the crochet chart

Want to know the good news? Japanese crochet patterns are written with charts: meaning that, if you can understand the international language of the charted symbol, you’ll gain access to all of those amazing patterns!

Page from Crochet with Color, book reviewed below.
(Actually, the illustration-heavy nature of Japanese instruction books applies to other crafts as well. You can read about my latest needle-felting book purchase in this blog post.)

I know… it can be daunting to pick up an entire book in another language. And, I’ll be honest with you: buying a Japanese book as a way of trying to learn the charts will be tricky. But fear not: I have an idea that will set you on your path to charted bliss.

Crochet with Color

What if there were a magical book: originally written in Japanese (so it contains all of the charts and illustrations, exactly as they would be written in a Japanese book), but with the text of the book translated into English? Wouldn’t that be the perfect way to get your feet wet with charts?

Crochet with Color is your book!

This book contains 25 beautiful & colorful crochet projects, all fabulously photographed and totally enticing. But really, if you’re just curious about the projects in the book, you can head on over to Amazon and use the ‘look inside’ feature. It’ll tell you everything you need to know about what the book contains.

Although the projects are adorable and lovely… if you’re buying a book for the projects, it’s a personal judgement about whether the particular projects in the book speak to you. And I can’t tell you that! But, I think there’s a real value to this book aside from the projects, and that’s the charts I’ve been talking about.

Don’t get me wrong, there are American books that contain charts (Robin Chahula‘s books are almost all charted, and are fantastic). However, let’s say your goal is to gain the skill set to read Japanese crochet books. Crochet with Color is, in my opinion, one of the best stepping stones you can get: since the charts and illustrations are exactly what you can expect to find!

And yes, I really do think that once you can read the charts and understand the illustrations, you can use Japanese crochet books… because I’ve done it!

Feed the addiction…

Once you feel comfortable with reading charts, you’re going to want to get your hands on more Japanese books!

If you live in a big city, you might have a Kinokuniya, an import book store with a huge crafting section! I definitely suggest a visit if you’re near one!

Aww! So cute!
If you’re shopping online, it definitely takes a little searching to find a source: since most of us don’t know the Japanese characters you would need to search a Japanese website. The Etsy store, Japan Lovely Crafts sells Japanese knitting, crochet and sewing books. Ebay is also a good source, search “Japanese Crochet Book”, and a good number come up.

Just be cautious, you want to make sure you’re buying the actual (legitimate) book and not an illegal pdf photocopy!

I hope you’re motivated to delve into a new world of crocheting!

Master the loop stitch, and bring a fun texture to your crochet!

I love the loop stitch. It’s a fabulous textured stitch that you can use to add loops to any crochet work. It’s a stitch I’ve used to make a squirrel tail and fluffy ears on a Maltese.

cute white crocheted Maltese dog

Unfortunately, I think a lot of people are scared by the loop stitch, thinking it’s too complicated or tricky. But I’m here to help… because I want everyone to feel confident with the loop stitch!

Here’s the lowdown: there’s one very common mistake that many people make when crocheting the loop stitch. And, it’s a mistake that will cause your work to get big holes in it.

The good news is that I’ll show you how to avoid this mistake, and then the stitch will be easy-peasy! Plus, you can even snip your loops for a fabulous ‘hair’ texture… so keep reading!

How to do the Loop Stitch, in photos

First thing’s first… let me show you how to do the loop stitch (lp st). For those of you who prefer videos, keep scrolling!

To do the loop stitch, insert your hook into the next stitch, just as you would for a single crochet.

Now, here’s the key part: we’re going to make the loop! Wrap the yarn around the index-finger of your non-hook-holding-hand (that’s my left hand, because I’m a right-handed), and plop that loop totally on top of your hook:

See how the there are two strands of yarn (the ‘start’ and the ‘end’ of your loop) on your hook? That’s what you want! Now, pull both of these strands making up your loop through the loop on your hook.

Your work should look like this:

Notice how it’s like there’s a twin-loop on the left, and a lonely loop on the right? That’s perfect. I know it looks different from other crochet stitches, but don’t let that scare you.

Now, wrap the yarn over your hook:

And pull the yarn through all of the loops on the hook. The right-side of your piece will look like this:

What?!? Where’s the loop? It’s on the wrong side of the work. I know, that’s weird. But it’s how the loop stitch rolls. Here’s a view of the back:

And here’s what it’ll look like if you keep crocheting…

How to do the Loop Stitch, video

I know some of you learn better through videos, so I made one for you!

The video begins after you’ve already inserted the hook into your next stitch, and are ready to make the loop…

What usually goes wrong…

Whenever I get an email asking for help with the loop stitch, I can usually guess what the problem is before reading the email. That’s good news! It means that there’s really only one part that usually goes awry.

And once you know that tricky spot, you can avoid it!

So, let’s have a look. Most people are pretty good at the ‘insert hook into next stitch’ part. It’s the ‘making the loop’ that causes the trouble.

Let’s see what happens if instead of catching both sides of the loop with your hook, you only catch one, like this:

Your finished loop will look okay at the start:

But, as you move your piece, you’ll notice that the loop will come undone:

And this will make a big hole in your work:

That’s sad. It’ll make your piece all holey… and there won’t be any loops left. So, don’t do it this way!

Go one step further… snip your loops!

Ever thought of making ‘hair’ for your amigurumi? Just do the loop stitch, and snip your loops!

So, let’s say you have your finished piece:

Grab your scissors, and snip each loop in half (at the ‘top’ of the loop):

And you’ve got hair!

If you’ve done the loop stitch correctly (by catching both sides of the loop as you crochet), then the pieces shouldn’t come loose!

Will you loop?

Maybe you’ll give a loop stitch pattern a try… or maybe you’ll be daring enough to add the loop stitch to a pattern you’re already working on! Report back about your results!

Here are handy links to all the posts teaching more fancy crochet stitches. . .

Return to the main table of contents for Let’s Learn to Crochet Amigurumi.

Move on to the posts about working with crochet patterns.

Happy stitching!

The making of a finely-crafted crochet hook…

So often, I get asked, “how did you start designing?” or “how did you start crocheting?” I’ve told my story on the blog… so I thought it would be fun to interview another artist about how they came to their calling!

I wanted to find someone who did beautiful work, but maybe someone you hadn’t met before. Then it hit me: Harrison Richards.

Meet Harrison


In the crochet world, we tend to think about the pattern designers, indie dyers (of yarn) and folks who do the crocheting. (Right? That’s who you think of, isn’t it?)

But what about the artists who make crochet hooks? Harrison Richards is the woodcarver (and founder of) Furls Crochet Hooks (pictured above). I describe these hooks as the ‘Rolls Royce’ of crochet hooks: stunningly beautiful, but also built for performance.

Furls crochet hooks are crafted to be ergonomic and are custom made for your hand size. The design of the hook is made to fit comfortably in the palm of your hand, so that you can comfortably crochet for hours on end.

How do you start designing custom crochet hooks? For Harrison, a master woodworker, the journey began with the goal helping out a crocheting friend stricken with sore muscles from a conventional crochet hook.

I asked Harrison to come over and tell us his story… and to talk about his start & inspiration.

Harrison’s Journey, in his own words

It’s 4pm on a Wednesday after school, and the last bell rang a while ago. Sitting on the front porch of his school, a 16 year old boy patiently watches his high school sweetheart crochet as they both wait for their rides home.

Stitch by stitch, she lovingly loops each length of fiber into a soft circular cap, soon to be a crocheted beanie. She’s been at it all day, and her hands are starting to tire, her stitches are getting tighter, and holding the tiny, florescent pink metal crochet hook in her hand is feeling more and more tense. He notices her straining wrists, and the small clicking sound coming from her knuckles every so often. Eventually she has to take a break, otherwise she knows her hand will cramp up. Their rides arrive, they exchange a high school kiss and go their separate ways.

She goes home and crochets. He goes home, and he can’t stop thinking about her hook. “I hate it”, he thinks. He knows that there has to be something better for her. “She deserves so much more”, he yells in his head, “she shouldn’t have to endure pain just from doing something she loves!”. He jumps on the internet, and tirelessly searches until stumbling upon ergonomic crochet hooks.

These aren’t for her either: they’re all alien looking, she deserves something beautiful. She is the absolute dream of this boy and he refuses to settle for less then perfect. Armed with his dad’s blunt Swiss Army knife and no woodworking experience, he sneaks into his family’s garage-turned-woodshop and starts to carve. “This will be the most beautiful crochet hook on earth…no one will have another like it… and it will fit her hand perfectly”, he muses. In that tiny woodshop, as the sun began to rise early the next morning, after hours of recklessly attacking an young oak twig until it resembled a crochet hook, he had finished with her hook and Furls Crochet was born.

Years later, Furls Crochet still furiously strives to provide every crocheter with what they really deserve; a perfect crochet hook. You craft moment by moment, stitch by stitch. You are not a machine. You are a human being who delights in every turn of the hook, every pull on the skein and every completed row. You are an artist. I treasure that about crocheters, and I want every crocheter to have a hook that reflects who they really are.

They say that you can tell a lot about someone by the character of their lover. I believe the same can be said for crocheters and their hooks. There is a romance between your hand and your hook that is an expression of who you are as a crocheter. This is why, years after a high school romance, every Furls Crochet hook is still made by hand, one by one, hook by hook, to exacting artistic and ergonomic standards out of the most gorgeous pieces of wood on earth. I believe that you deserve a crochet hook that is as unique and beautiful as you are.

– Harrison, founder of Furls & the ‘grown-up’ high school Romeo

Did you just get goosebumps?

The mark of a true artisan is that they’re obsessively passionate about their work. Had you thought about your hook as a finely crafted tool before? Maybe not… but after reading Harrison’s words, I’ll bet you will!

Even though Harrison is a woodworker and I’m a designer, to me, it seems that our stories are the same. I love stuffed animals. I’m excited about stuffed animals… and I want everyone in the world to make them. Harrison loves his hooks.

Isn’t it beautiful?

Thank you so much, Harrison, for coming by and sharing your story with us!

Find Harrison

Want to learn more about the object of Harrison’s love, Furls crochet hooks? You’ll want to visit the Furls website and find Furls Crochet on Facebook.

Happy crocheting, everyone!

Got yarn? How to find a yarn store when you travel!

As you know, I’m spending this weekend in Minneapolis. What’s the first thing I do when planning a trip? Scope out the yarn stores!

Today, I’ll show you my favorite sites for finding LYSs. In addition to being handy when you travel, you can even use these sites for finding a store near you!

Ravelry

Oh, I love Ravelry. You knew it was handy for finding patterns and yarns, but did you know it can help you find a yarn store, too?

Click on the ‘Yarn’ tab at the top of the main screen, then look below the list of yarns on the left:

Enter a city or zip code, and you’ll get a list of results!

Once the list of results comes up, you’ll want to go to the website to make sure that it’s actually a store. For example, since Ravelry contains a database of Indie Dyers, some of the listings that come up are for Etsy shops (and the dyer does live in the city), and there’s nothing for you to actually visit.

The results give you a street address and a link to the website, as well as the distance from the address you entered… so planning your trip is easy!

Knit Map

KnitMap is a site specifically designed for this purpose! In addition being a database of yarn stores, it allows you to search by features (like ‘open now’ or ‘has spinning supplies’) and read reviews of each shop.

When you enter the city you’re searching for, a list of yarn stores comes up as well as a map with the stores on it:

Click on ‘details’ to view the reviews for a store. Seeing the reviews can really help you decide if you should put a store on your ‘must see’ list… particularly if there are oodles in a city or if you’re wondering if an out-of-the-way shop is worth your time.

Planet Purl

Planet Purl also has a yarn shop directory, just click on ‘Yarn Shop Directory’ on the top toolbar:

Type in your city, and you’ll get results!

The downside to the Planet Purl results is that you only get the name of a shop, the address and phone number. There is no website listed for the shops, and they’re listed in alphabetical order (instead of distance from the center of the city), so for big cities, you’ve got a serious sorting problem on your hands.

The upside of Planet Purl is their travel guides. For a number of cities, bloggers have written a ‘yarn guide’ to the city, which can help you sort out the great spots to hit!

Where will you search?

Are you headed anywhere that’ll get you to put one of these sites to use? Or maybe you’d like to search around your hometown… you might find somewhere new!

Patterns & the sale of finished items, one designer’s perspective

I began designing crochet patterns 4 years ago this month (whoa!). Soon after I began selling patterns, I received the question:

Oh, dear. I hadn’t thought about that! So, I looked online to see what other designers did.

The majority of designers did not allow customers to sell the finished items made from their patterns. In fact, the policy seems to spread beyond indie designers: take a peek at the copyright notice in a pattern book or the small print on a McCall’s sewing pattern that you buy from the craft store.

The message is the same:

Surely these experienced companies must know something really important, right?

I, a newbie designer, followed suit. I replied to my customers that my patterns were for personal use, only. (don’t worry… this story has a happy ending, so keep reading!)

The Fear Factor

Why don’t many designers permit customers to sell finished items from their patterns? Let’s take a look at some of the reasons I read:

  • Allowing customers to sell finished items allows factories in China to mass-produce your design, making millions of dollars and stealing your potential customers.
  • If you allow a customer to sell finished items from your pattern, they could make thousands! And they only gave you $5! That’s not fair!
  • What if you allow a customer to sell items made from your pattern, but the crocheter has very poor craftsmanship. Then this will reflect poorly on your design.
  • If someone sells items from your pattern, it takes away customers who will buy the finished items you make!
  • Allowing people to sell items from your pattern promotes the illegal copying/distribution of your pattern.

Boy… the designing world is suddenly a very scary place, isn’t it?

Everything I read suggested that if you allow customers to sell items made from your pattern, you’re signing the death certificate of your design company. Scary stuff!

But… do any of the items listed above seem a bit extreme? Uh, yeah… they did to me, too.

Having a serious think about the problem

After a while (as I gained confidence as a designer), it became less clear to me that prohibiting the sale of finished items from my patterns was the right thing to do. So, I looked at all of the reasons I read about, and had a really serious think about them.

Below are my thoughts about each of the points mentioned above.

Allowing customers to sell finished items allows factories in China to mass-produce your design, making millions of dollars and stealing your potential customers.

This is a really common fear amongst designers: that a factory in China (or Vietnam or wherever) will snatch up your design and mass-produce it without your permission. We see these knock-offs happening to designers of red-carpet gowns the day after an awards show.

But, here’s the important question for our discussion: is allowing customers to sell items made from your pattern make knock-offs any more likely? My opinion is: no. Firstly, the knock-offs that happen are knock-offs precisely because they are copying your design, meaning they don’t care if they have your permission or not. Put differently, your design can be stolen at any time. Secondly, if you allow customers to sell finished items, you are not also licensing out the mass-production of your design.

Finally, crochet is notoriously difficult to mass-produce. So even if a factory fell in love with my design, it’s unlikely it would be profitable for them to reproduce it. They would turn to a knitted/sewn design, instead.

If you allow a customer to sell finished items from your pattern, they could make thousands! And they only gave you $5! That’s not fair!

Let’s get serious. No one is becoming rich by hand-crocheting items from home. In fact, I frequently talk about how to make a profit at all!

The fairness issue is something to mull over. Some designers license their patterns to crafters. For example, if you wanted to sell owls, you might be charged a ‘cottage-industry fee’ (maybe $50) to get permission to sell items made from my owl pattern.

To resolve this issue for myself, I had to think about my customers. I made up a customer, Zoe:

Zoe represents my typical customer. She loves to crochet, and her family and friends have asked her to make some stuffed animals for them. Because she values her time, she wants to charge for making a stuffed animal. Let’s pretend that I charge her a fee. One of three things will happen:

  • Zoe will think the fee isn’t worth it, and will use another pattern that permits her to sell the finished items without a fee.
  • Zoe will decide that the fee is too expensive, so instead of charging for her hard work, she will give the animals away so that she isn’t ‘selling’ them.
  • Zoe will pay the fee, significantly reducing her profit.

You see… most of my customers want to sell just a few finished products. Charging a fee would significantly impact their product.

And realistically, I want them to use my pattern! I love seeing people make items from my patterns. Why drive them away from my patterns by charging?

What if you allow a customer to sell items made from your pattern, but the crocheter has very poor craftsmanship. Then this will reflect poorly on your design.

Hmm… I suppose this is true. But frankly, people will crochet what they crochet and post the photos online regardless of whether or not they are selling them. And they’ll link to your pattern. Not sure what you can do about that.

The flip side is true, too! Customers will post beautiful photos as well! And oftentimes, the crocheter is happy to let you post the photo on your company’s Facebook page.

A photo of my Tino the Turtle, crocheted by Adriana. Just one of the many beautiful customer photos I get!
In my opinion, the solution is to promote the lovely photos instead of attempting to disconnect yourself from your patterns.

If someone sells items from your pattern, it takes away customers who will buy the finished items you make!

How severely this ‘scare’ affects you depends on your business model. My business is to sell patterns. I actually don’t have time to make many finished items for sale. So, if others sell finished items, it doesn’t take business away from me!

In fact, others selling finished items actually increases my business, because more crocheters are buying my patterns!

Allowing people to sell items from your pattern promotes the illegal copying/distribution of your pattern.

Uhh… I’ve read this a lot, but I just don’t understand how it could be true. People make illegal pdfs. But this is totally unrelated to whether or not you allow crocheters to sell finished items.

My policy

Have I busted all of those scary scenarios? I hope so!

I decided that, for my business, it was actually beneficial to allow customers to sell finished items from my patterns. Why?

  • It results in increased pattern sales: from customers who choose my patterns over others because I permit the sale of items.
  • I benefit from the increased number of projects connected to my patterns. If a crocheter makes 20 owl for sale, those 20 owls are listed on Ravelry, making my pattern more popular.
  • Customers are often keen to share their photos with me, and posting these additional photos on my Facebook page shows the variety of colors that look great in my pattern!
  • I am personally passionate about helping crocheters make a fair wage from their handiwork. By not charging a licensing fee, I am contributing to making stitching a viable wage-earning job.
  • I couldn’t find any reason not to allow folks to sell the items!

So here’s my policy: You are welcome to sell items from my pdf patterns. I ask that you include a note about the item being a ‘FreshStitches Design’ on the tag (at a craft fair) or a link to my shop (in an online store like Etsy).

It makes me happy. It makes my customers happy. What could be better?

Chime in!

Are you a designer? What’s your policy and why?

Are you a crocheter? How does the ability to sell finished items affect your pattern purchases?

I want to hear!

Best,
Stacey

How I designed 10 monsters (without getting bored)!

Do you want to know the question I’m asked most often?

No kidding. Almost everyone asks me this. It was actually the only downside that my husband brought up when I began designing. “Aren’t you going to run out?”

In fact, the inverse is true: the more I design, the more ideas I get!

The key: flourish in the constraints

Do you watch Project Runway? Most of the time, the participating clothing designers are given difficult constraints: like designing a garment using $250 of candy.

And what challenge to contestants usually say is hardest? The one with the least constraints. While you might think it’s freeing to be able to do whatever you want… it’s actually debilitating. How do you know what to do? What criteria do you use to make your choices?

In my designs, I set a lot of constraints:

  • The yarns must be commercially available and easily substituted.
  • There can be no more than one technically complicated stitch (for example, the loop or bobble stitch)
  • Overall, the design must be accessible to a crocheter who has accomplished one simple amigurumi, and is open to learning a new skill.
  • Any new technique that I use must be accompanied by a video/descriptive blog post to assist my customers.

Why do I do this? I began placing these constraints so that my customer would receive the best possible pattern. With these constraints in place, my customers are guaranteed that:

  • they won’t get lost in a pattern due to insufficient photos/videos/help.
  • the quality of the finished product isn’t dependent on non-quantifiable artistic skills (because I have none!). If they follow the directions (attach to round 25), then their finished product will look lovely!
  • the pattern is accessible to their skill level and fun (uh… no color changes with a loop stitch and attaching felt pieces at the same time!)

This makes customers happy. But, over time, I discovered… the constraints make my designing happy!

The tale of 10 monsters

A few months ago, I was asked by Knitting Fever (the distributor of Ella Rae Classic, a yarn I frequently use in my designs) to design 10 monsters for distribution on their site.

Now… you get to ask that gem of a question: how do you design 10 monsters without getting bored?!? And, how do you come up with 10 different monsters?

I’m not going to fib… the number 10 even had me a little worried. After all, I’ve taught a course on designing your own monsters (which included patterns for about 7 monsters), and I couldn’t repeat any of those!

I started sketching…

As I was sketching, I knew it was not only important that I didn’t feel bored with my monsters, but that a customer would really want to crochet all 10… and love every minute of it! That meant that every monster needed a purpose: a novel shape or technique. And what’s that? More constraints!

In the end, I came up with 10 that I really loved:

And some that didn’t make the cut:

Among the winners were some great techniques, shapes and skills that I new customers would be excited about:

  • Legs that are joined as you crochet, instead of the usual stitch-them-on-afterwards
  • A ruffle!
  • Stripes that make use of stranding as you change colors
  • A fun rectangular-shape that uses working the bottom side of the foundation chain to begin
  • A monster that begins with a long chain: and not the standard circle
  • Funny antennae that make use of pipe cleaners for structure
  • Crocheted-on mouths with (simple triangle) felt teeth

All of these features (at least I hoped!) would make the crocheting exciting, but also teach the crocheter a skill that they could apply to other animals. Don’t like the mouth on a pattern? Now you’ll know how to crochet a smile and stick on a felt tooth!

Once I had my faves, I colored in my sketches so I could figure out which colors of yarn I’d like to use:

So does this mean that I could design another 10 monsters? I don’t know… maybe! But I can say that what helped me is coming up with specific goals (aka constraints) that I wanted each design to accomplish.

The finished monsters

Here’s the whole gang… do you like them?

I hope you do!

And you can have them all!

All 10 of these patterns are available as free downloads from Knitting Fever! Isn’t that awesome?

I really hope that you grab them and enjoy the process of crocheting these fun monsters!

Thanks for stopping by and reading!

If you want to see more great finished items… make sure to visit Tami’s Amis blog, the organizer of this great FO Friday theme!

I hope you have an awesome and craft-filled weekend!

How to crochet a pirate owl!

Have I told you how awesome my customers are? I don’t mean to brag but… I’m pretty sure that my customers are the sweetest and most creative crocheters around!

Just this week, Adriana was featured on Martingale’s blog for crocheting all 18 critters from Crocheted Softies!

And today’s Tip Tuesday post? Brought to you by the super-creative mind of Casey from Plus 3 Crochet! Love!

So, there. That proves it. My customers rock. Thank you guys, for being such rock stars!

How to crochet a pirate owl

Casey took the Nelson the Owl pattern and came up with a few tweeks to turn it into an adorable Pirate Owl!

And she’s sweet enough to share how to do it! Follow these instructions, and you can have your own pirate!

Peg Leg

Instead of making two feet, you’ll want to make one foot, and one peg leg.

Instructions for Peg Leg

With black, ch 2.
Rnd 1: Sc 6 times in 2nd ch from hook. (6)
Rnd 2: Sc twice in each st. (12)
Rnds 3-4: Sc in each st. (12)
Fasten off with long tail. Stuff, and attach.

Eye Patch

To make an eye patch, you’ll make one eye circle in your usual color (shown here in white, but is orange in the original Nelson pattern) and one in black. Then, you’ll crochet a strap.

Instructions for Eye Patch Strap

With black, ch as many stitches as it takes to fit from one side of the eye circle, around the head to the other side.
Row 1: Turn, sc in 2nd ch from hook and each st across.
Rows 2-3: Ch 1, turn, sc in each st across.
Fasten off and attach to head.

Enjoy your pirate owl!

It’s that easy!

Thanks so much, Casey, for sharing how to make a pirate owl! I’ll bet some of you out there will come up with ideas for applying these tips to make some other great pirate-animals!

What is a skein? Demystifying names for yarn bundles.

Skein. Hank. Ball. Cake. You may have heard these terms thrown around by ‘yarnies’, but what do they mean?

Today, I’ll tell you! Now I’ve talked to a lot of yarn people in my time… and what folks don’t seem to admit is that there’s a little bit of wiggle room/variation in what these terms mean. Sound confusing? Yeah… it sorta is. But don’t worry about it! We’ll sort it out!

What is a hank?

A hank is a long loop of yarn that you’ll usually spot twisted into a cute bundle, like this:

Featured Yarn: Stonehedge Fiber Mill’s Shepherd’s Wool Crazy
You can’t knit/crochet directly from a hank, you’ll need to use a ball-winder, a nostepinne or your hands to wind a cake or ball (see below) that you can work from.

Why does yarn come in hanks? Since a hank is just yarn looped around, it’s how spinners and dyers work with their yarn, and it’s a real time (read: cost) savings to sell it to the consumer that way. I’m not actually sure if it’s a time saving-issue for big-production-factories, but a hank still has a ‘classy’ feel to it, so it contributes to a yarn looking high-end. Finally, from a yarn-store perspective, hanks lie neatly on the shelf, making display easy.

What’s a skein?

Ooooh… that’s the tricky one!

Most people say that a skein is an oblong center-pull bundle, like this:

Featured Yarn: Ella Rae Classic Wool
This configuration is how you’ll find most of the yarns from ‘big yarn brands’ wound. It sits nicely on the shelf and is ready-to-use (no winding!) by the customer.

I’ve also heard that once upon a time, both ‘hank’ and ‘skein’ were used to refer to the hank-like configurations of yarn, but indicated different measurements. Oh, the controversy.

In my experience, it’s very common to hear the word ‘skein’ used to refer to ‘a unit of yarn’. For example, the book One-Skein Wonders doesn’t refer to things you can make using oblong bundles of yarn… it’s things you can make with one unit of yarn, no matter how it is wound.

In my opinion, it doesn’t really matter which one of these definitions you stick to… just as long as you acknowledge that other folks might use the word differently from you!

What is a ball?

A ball, stereotypically, refers to the sphere that results from hand-winding yarn:

Featured Yarn: Stonehedge Fiber Mill’s Shepherd’s Wool Crazy
Because it looks like a ball!

But, alas, there’s a little wiggle room here, too. Some people use the word ‘ball’ to refer to any round-ish bundle of yarn (hanks, excluded). For example, the label of Vickie Howell’s Sheep(ish) (which is a skein, as pictured in the last entry) says “1 ball” on the label.

Why don’t we see a lot of ‘balls’ for sale? A true spherical ball is usually the result of hand-winding and isn’t typically how yarns are sold (although they seem to be more popular in Germany: Schoppell Wolle -Zauberball- and Jawoll sell yarns in balls). They roll off of shelves, and therefore, are also a tricky way of storing your stash. I would recommend storing your hanks as-is or winding them into cakes (below) for storage.

What is a cake?

A cake is what comes off of a ball-winder, a cylinder with a flat top and bottom:

Featured Yarn: Cascade Eco+
These bundles are center-pull, which means that you can pull the yarn from the center for knitting/crocheting.

Some small companies are beginning to sell yarn in cakes, usually to demonstrate a long-colorway (like Freia Handpaints).

What is a donut?

I’m not sure if a donut is a technical term… but it’s something that comes up a lot in conversations with my yarn-store-owner friends. It looks like a donut:

Featured Yarn: Cascade 220 Superwash
These are center-pull, which distinguishes them from ‘balls’ in the classic sense. Is this a relevant distinction? I don’t know. I just wanted to be thorough!

What is a cone?

A cone is a yarn that is wrapped around a conical cardboard cylinder:

Yarn is usually only sold in cones when it’s a large quantity. For example, in weaving, it’s important to have a long length of yarn (so there are no knots from joining skeins), so cones are sold with these long lengths of yarn.

What is this?

Just when we thought we had it all figured out… there’s this mystery:

It has a cardboard core, but it’s not a cone shape. It’s not really a ball…

Hmm…

What have we learned?

There’s lots of different names, and it’s confusing! Fortunately, there’s no ‘council of yarn dictators’ that will behead you if you use the wrong term.

It’s good to know that there are lots of different names kicking around, and hopefully, I’ve given you a resource if you want to learn them!

5 Surprising Reasons Your Handmade Biz isn’t Making Money

I’ve talked before about pricing and selling handmade items, but the same principles apply to handmade businesses of all varieties. Because you may have missed it, I’ll summarize some key points here.

Here’s the kicker: whether you make items for sale, sell instructions/patterns for handmade items or are a teacher of a crafting skill, there are a few common roadblocks to earning the money you deserve. Warning: they may surprise you!

Reason #1: Your prices are too low

Counter-intuitive, isn’t it?

Here’s the thing: people often their perception of quality on what they pay. Think about it: if you were given the option of having a steak dinner at a restaurant for $3, what would be your first thoughts about the dinner? The restaurant?

You’re not assuming that you’re getting a lovely meal, are you? And why not? Because your alarm bells are telling you that the price is too low for a high-quality product. Not only are you going to assume the food is crappy, but you’re probably going to walk away from the entire restaurant. Who wants to go somewhere that serves (potentially unsafe) food?

Solution: Evaluate your prices

I’m not saying that you should to raise your prices just for the sake of it. But, you should ensure that you’re charging the correct amount… and not selling yourself short.

Do a market analysis. See what others who are selling comparable products are charging. This goes for teachers, too… do a little sleuthing to discover the going rate. You don’t want to be the cheapest one, around!

Reason #2: Your customer doesn’t know why they should pay for your product

I hate to break it to you: you can’t expect your customer to know why your product is valuable. Let’s say you charge $8 for a very detailed knitting pattern, which is slightly higher than average and seems very pricey in a sea of free patterns. Does your customer know that it’s full of step-by-step photos? That purchasing the pattern comes with unlimited email help? That the pattern has been tech-edited and is error-free?

How would they know unless you tell them?

Solution: Be clear about the value of what you offer in a concrete way

Maybe you think it’s obvious that any knitting pattern worth it’s salt would have clear instructions with photos. Maybe you’ve even attempted to convey this to the customer by saying “it’s a quality pattern”. But words like ‘quality’ mean different things to different people. So it’s up to you to concretely explain why your product rocks and is worth what you’re charging.

If you make products, do you make clear the materials and workmanship that go into your pieces? If you’re a teacher, is your skill at targeting in on student’s concerns apparent? I’m not saying this is easy to do… you may need to come up with creative ways of demonstrating what you bring to the table. But it’s worth doing.

Reason #3: Your customers don’t know what you do

Oy… this is even worse than the last one!

Let’s think about dinner, again. You really want a nice steak. Are you going to go to a restaurant with a reputation for being the best steakhouse in the area? Or one that serves lots of food… and sometimes it’s steak?

I think we both know you’d choose the one with a great reputation. And you’d probably be willing to pay more, too!

Are you heading towards being a person who sews dog hats, crochets baby booties and silkscreens onsies? Is that the best place for you to be headed? What if you could be the person who sews the BEST dog hats?

Solution: Make a niche

Who am I? I’m the chick who sells the most well-written crochet stuffed animal patterns. And… they even come with amazing customer service. I’m constantly writing tips and posting videos on the blog, and I take great care to answer questions that come in via email. That’s what I do.

 

Why don’t I design knitting patterns? It’s not because I can’t… because I can! But, customer service is my number one priority, and I know that I couldn’t provide the level of tips, videos and tutorials for both knitting and crochet (at least, not right now). So I don’t.

Can you find a niche? Don’t worry… you can still crochet baby booties on the side. But maybe just not for your business!

Reason #4: You’re not interacting with your customers

What’s the difference between you and a big company? YOU are a person. YOU make each item (or teach each class, or write each pattern) with your own little hands. YOU are a crafter with passions and ambitions that your customers want to hear about! In fact, the average customer is willing to pay more/more likely to buy from a crafter that they feel a connection with.

How do you build this connection? Maybe by sharing photos on Facebook. Or by posting stories about your work on your blog. Or even by putting a little bit of you in your item descriptions.

Solution: Share!

I know it’s hard. We all have a limited amount of time. As a small-business owner, you’re handling shipping and accounting in addition to the actual making of your product.

So, start with one way customers can connect with you. Begin with the medium that makes you most comfortable. And begin sharing your story!

Reason #5: You’re giving away your work for free

As crafters, we love what we do. It can be easy to forget that you should be getting paid.

I’ve heard it happen so many times: teachers who are roped into teaching a group of school kids to knit. Designers who add a new size in the pattern at a customer’s request. Crafters who put too much time doing modifications of a custom design without charging for the overtime.

Stop it! How are you going to earn a fair wage if you’re giving it away for free?

Solution: Set boundaries

I’m not gonna fib. Almost everything about running a business is hard. Especially setting boundaries. But you have to do it.

(I’m half kidding: don’t actually be mean. But, I’m serious about not working for free.) Don’t hesitate to quote a price for what is being asked of you. Watch, I’ll show you how it’s done:

Customer: Stacey, I LOVE the owl in your Etsy shop! I was wondering: can I order one with horns and pigtails (my husband is a Vikings fan), and about 24″ tall (he’s a big guy!)?

me, option 1: I’m sorry, but those modifications are pretty serious, and that’s not something I’m able to do. Thanks for thinking of me, though! When you need a just-plain-cute owl, I’m your girl!

me, option 2: Ooh! Sounds like so much fun! My rate for custom work is $xx per hour, and I estimate that those modifications will take about 2 hours, plus require $xx in additional materials fees.”

See? Either way, I’m not doing work that I’m not getting paid for.

Any of these reasons give you ideas for changing how you do business?