Add some waves to your quilts with this free applique pattern!
In addition to the wavy stripes you see in the top image, the free pattern also includes a template designed to use at the bottom of a block, in combination with an animal applique.
Here’s an example.
These waves will work particularly well with the following patterns:
People call them cloth books, quiet books, soft books – whatever you call them they’re easy and fun to make and a great way to get extra use out of your patterns.
The instructions below are for a 12-page book, 8 inches square, with flannel “batting” to make the pages extra soft and snuggly.
Here’s what mine looked like after filling it out.
The top of the worksheet is your planning guide. It lays out what the pages will look like when you’re reading them.
I decided to call my book Who’s Grumpy? I put one face on each page, including mostly smiling faces but one very grumpy cat. I deliberately placed the cat on an odd-numbered page so when someone is flipping the pages, that’s the immediate “reveal.” I’m imagining a kid pointing and calling out,”He’s grumpy!” as soon as you turn that page. 🙂
My book is a random collection of animals, but you can do anything!
Make a collection of a child’s favorite animals.
Make a souvenir of a visit to the zoo and the animals you saw there.
Make a collection of the animals native to your area.
Use this free ABC pattern to put an animal face on the even pages, and the sound that animal makes on the odd pages.
Make a Christmas book with the free patterns here.
The bottom of the worksheet is your construction guide. It shows how you need to make the pages so that when you put them all together it reads like you planned in the top of the worksheet. So, for example, the animal for page two (the koala) needs to be on the same rectangle of fabric as the animal for page 11 (the hippo).
Materials
You’ll need 3/4 yard of fabric for your book, and 3/4 yard of flannel.
I recommend pre-washing both the fabric and the flannel, and I actually recommend washing and drying the flannel one extra time because that stuff has a tendency to shrink a lot.
You’ll also need fusible adhesive. I use Heat & Bond Lite for all my quilts.
Cutting Instructions and Applique Preparation
From the fabric, cut 6 rectangles each 8 1/2 inches x 17 inches.
From the flannel cut 6 rectangles each 8 inches x 16 1/2 inches.
Print or trace your applique templates. Since my book is 8 inches square and my patterns are all designed to fit in 10 inch squares, I printed all the template pages at 80% size. There’s more info about resizing patterns here.
Instructions
Fold your fabric rectangles in half and press the fold to mark what will be the spine of the book.
Fuse your appliques. (Those little cards with the numbers are my page numbers, just helping me to keep everything organized while I worked.)
I usually make my quilt blocks “snapshot style.” By that I mean I imagine that I’ve snapped a photo of the animal, zoomed way in on its face. Here’s an example.
I’m trying to make it look like she has a lower body – it’s just cropped out of the photo – and I achieve that effect by lining the cut edge of the bottom of the applique like up with the raw edge at the bottom of my block. You can do this in your soft book exactly the same way. Just line up the straight edge at the bottom of the applique piece with the bottom edge of the page so both raw edges get included in the stitching when you finish the page edges.
For my book I decided to float the heads in the middle of the block – what I call “emoji style.” When I do that, I just don’t use the shoulder or body pieces. That means I had to choose animals where the head and body are separate pieces, so I didn’t include anything like this bear.
See? No way to separate the head from the body.
That was a little design digression. Now, back to the instructions. 🙂
Center a flannel rectangle on the back of each page rectangle. I cut the flannel smaller than the fabric in order to de-bulk the edges of the pages.
I used spray adhesive because every few years I forget how much I hate it and I give it another try before swearing off it for another few years. It would have been a lot easier (and less messy) to just dab a little fabric glue stick in each corner and a swipe down the center. 😛
Outline the applique. I just use a simple straight stitch with black thread.
It all worked out fine, but since I used fabric paint for mine catchlights, it means for the rest of the process I had to be very careful not to iron over the eyes. It would have been easier to add the catchlights at the very end.
Now comes the fun part – finishing the pages.
Sew pages 12/1 to pages 2/11, right sides facing, using 1/4-inch seam allowance all around. Leave a 4-5 inch opening for turning.
Repeat with pages 6/7 and 8/5.
Repeat with pages 4/9 and 10/3.
Clip the corners of each page and turn them right side out.
Here’s a close-up of the clipping. You want to get right up to the stitching without actually cutting the stitches.
Smooth all the edges, tuck the seam allowance in at the turning opening, and give it a good press.
You can close up that opening two ways.
Hand sew the opening closed using ladder stitch. This is slower, but completely invisible and results in the softest pages.
Topstitch the edges of the page all the way around, closing up the opening as you topstitch. This is faster, but results in a slightly stiffer page edge.
I chose option 2 – topstitching. I’m pretty sure the page edge will soften up over time, and even if it doesn’t it’s really not unpleasantly stiff. 🙂
Finally, stack the pages as follows.
Lay page 12/1 face down so that its back (page 2/11) is face up.
Over that lay page 10/3 face down so that its back (page 4/9) is facing up.
Over that lay page 8/5 face down so that its back (page 6/7) is facing up.
Sew the three layers together right down the spine of the book, using that pressed fold line as a guide. I stitched my spine twice for extra durability.
Close your book. You’re finished! Here’s my finished book. . .
Here are a bunch of additional ideas and links to further customize your book.
You can change the size of your book – just be sure to adjust the print size for your templates accordingly. I use 10-inches as the base for all my quilt blocks because it makes the math so dang easy. If you want a 9-inch book, print your templates at 90% size. If you want it to be 7.5 inches, print your templates at 75%. Easy peasy.
If you want to add or subtract pages, that will throw off the entire planning worksheet so you’d need to make your own. It also affects what batting you use in the pages. In my tests, even thin cotton batting was too puffy for a 12-page book, but it would probably work for an 8-page book. If you want to make yours longer than 12 pages, I’d recommend stabilizing the pages with interfacing instead of using the flannel.
Go crazy with fun special effects!
Maybe you want to use smooth shiny satin for your frog! Or fluffy fleece for your puppy. Or a little bit of white fur for the inner ears of the koala! This post will take you to the tutorial showing how to applique with satin, and at the bottom of that post there are links to tutorials for lots of other specialty fabrics.
Want to use an easy faux trapunto technique to give the koala a puffy nose?
Here are several free patterns that work with just some simple resizing. This post about making coasters has info about resizing an applique pattern that can be applied to any of these projects.
All of my applique quilt patterns (except the Paper Dolls) are built on a 10-inch grid, and I almost always design one animal for each block. But sometimes you may want to squish two animals into one block!
Maybe it’s a social animal like those meerkats in the first photo.
Maybe you want to add a baby animal, like these cats.
Or maybe you want to use the Peekaboo Mouse pattern to have a little mouse photobomb one of your other blocks.
Or maybe you want to add something that will deliberately bust out of its 10 inch frame, like this frog flicking his tongue into a neighboring block.
It’s easy to play with your blocks like this – but you want to make sure it still fits in a 10-inch square, and since I advise you to start with an 11-inch block and then trim it down to 10 1/2 inches and sew it together so it finishes as 10 inch – you need to know where those 10-inch edges are.
I used to just use one of my square rulers to measure. I’d lay out the block, then check to make sure it all fits properly, then make adjustments (if needed) and measure again. It worked, but I wanted a way that let me see the edges AND move things around to adjust them at the same time.
So here’s what I do. I made a little tool that’s quick, easy, and free.
So there you go. How to squish two animals into one block – and know that they’re going to fit beautifully!
Have fun with this!
Here are links to all the posts showing how to applique with fusible adhesive – my favorite method. It’s fast and easy and (with the right materials) it holds up beautifully to rough use and repeated washing.
One of the easiest ways to make your quilt more dynamic is to use an alternate grid instead of a simple checkerboard.
And one of the easiest ways to make an alternate grid is to add half blocks!
It can be tricky to plan and assemble these quilts, but there are really only a few things to keep in mind – fabric requirements, block size, and how to sew those blocks together without any dang Y-seams.
The fabric yardage for my quilt patterns really doesn’t change – so that’s easy.
The size for half-blocks is also easy – once you remember to account for seam allowance. For my quilts (which are all based on a 10-inch grid) the half blocks will finish at 5 x 10 inches. That means you need to trim them (before sewing them together) to 5 1/2 x 10 1/2 inches. That means you need to cut your initial blocks 6 x 11 inches.
That leaves layout and assembly.
To make things extra easy for you, I’ve created basic templates you can use for six different quilt sizes. The samples all use the Woodland Critters quilt pattern, but you can use these layouts to add half-blocks to any of my patterns. Use the free alphabet pattern to add barks and yips and whines to the Lovable Mutts pattern, add snores to the Silly Sloths pattern, add a name and birth date to a baby quilt. You get the idea!
For each size below I tell you how many full blocks and how many half blocks to cut, give a template you can follow to assemble your blocks in a no-Y-seam layout, and explain in detail how to assemble the blocks. (It looks more complicated than it is – basically I’m just starting with the smallest units and adding to them with each step.)
Instead of cutting nine square blocks, cut 5 square blocks (11 x 11) and 8 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew D to E
Sew C to DE
Sew A to CDE
Sew B to ACDE
Crib Size
Instead of cutting 25 square blocks, cut 17 square blocks (11 x 11) and 16 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew F to H to J
Sew D to G to I
Sew E to FHJ
Sew A to EFHJ
Sew B to AEFHJ
Sew C to BAEFHJ
Sew K to CBAEFHJ
Sew DGI to KCBAEFHJ
Nap Size
Instead of cutting 30 square blocks, cut 21 square blocks (11 x 11) and 18 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew F to H to J
Sew D to G to I
Sew E to FHJ
Sew A to EFHJ
Sew B to AEFHJ
Sew C to BAEFHJ
Sew K to CBAEFHJ
Sew L to KCBAEFHJ
Sew DGI to LKCBAEFHJ
Twin Size
Instead of cutting 63 square blocks, cut 45 square blocks (11 x 11) and 36 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew F to H to L
Sew E to FHL
Sew A to EFHL
Sew B to AEFHL
Sew C to BAEFHL
Sew M to CBAEFHL
Sew O to MCBAEFHL
Sew S to V
Sew T to SV
Sew W to TSV
Sew U to WTSV
Sew UWTSV to OMCBAEFHL
Sew J to K
Sew N to JK
Sew I to NJK
Sew G to INJK
Sew D to GINJK
Sew P to Q
Sew R to PQ
Sew RPQ to DGINJK
Sew UWTSVOMCBAEFHL to RPQDGINJK
Queen Size
Instead of cutting 80 square blocks, cut 57 square blocks (11 x 11) and 46 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew F to H to N
Sew E to FHN
Sew A to EFHN
Sew B to AEFHN
Sew C to BAEFHN
Sew O to CBAEFHN
Sew S to OCBAEFHN
Sew U to X
Sew V to UX
Sew Z to VUX
Sew c to ZVUX
Sew W to cZVUX
Sew WcZVUX to SOCBAEFHN
Sew D to G
Sew J to R
Sew T to JR
Sew I to TJR
Sew K to L
Sew M to KL
Sew P to Q
Sew a to b
Sew Y to ab
Sew Yab to PQ
Sew MKL to YabPQ
Sew MKLYabPQ to ITJR
Sew DG to MKLYabPQITJR
Sew DGMKLYabPQITJR to WcZVUXSOCBAEFHN
King Size
Instead of cutting 100 square blocks, cut 72 square blocks (11 x 11) and 56 half blocks (6 x 11).
Sew each “chunk” you see in the diagram, then assemble them as follows:
Sew H to I
Sew A to HI
Sew B to AHI
Sew C to BAHI
Sew R to CBAHI
Sew V to RCBAHI
Sew a to g
Sew b to ag
Sew j to bag
Sew k to jbag
Sew c to kjbag
Sew ckjbag to VRCBAHI
Sew D to J
Sew M to DJ
Sew d to MDJ
Sew dMDJ to ckjbagVRCBAHI
Sew N to O
Sew P to NO
Sew L to PNO
Sew T to U
Sew TU to LPNO
Sew f to TULPNO
Sew h to fTULPNO
Sew l to m
Sew lm to hfTULPNO
Sew K to S
Sew X to KS
Sew e to XKS
Sew eXKS to lmhfTULPNO
Sew E to eXKSlmhfTULPNO
Sew EeXKSlmhfTULPNO to dMDJckjbagVRCBAHI
Sew F to G
Sew Q to FG
Sew W to QFG
Sew Y to Z
Sew YZ to WQFG
Sew n to o
Sew i to no
Sew ino to YZWQFG
Sew inoYZWQFG to EeXKSlmhfTULPNOdMDJckjbagVRCBAHI
Whew! That King size looks a little crazy – but it’s the same principle as the smaller alternate grids. Just start with the smallest units and build up into larger chunks. There’s a video here walking you though the reasoning and process – especially helpful if you want to create your own alternate grid design and don’t want to end up with Y-seams. Maybe you want to incorporate a quote into a quilt, like I did in this version of the Wild Flowers pattern?
I can’t wait to see what you create with alternate grids!
Find links to all the posts about pattern size and layouts here.
These instructions assume you’re already familiar with the applique method I use – Quilt As You Go and applique with fusible adhesive.
If you’re new to my patterns, there’s a detailed video workshop here that takes you step by step through the methods I use. It’s totally free, and you can work your way through the lessons using any pattern you like, including this nutcracker pattern!
Step 1
Download the template pieces. If you’re using paper-backed fusible adhesive and cutting by hand, use this link to download the PDF. If you’re using an electric cutting machine, use this link to download the SVG. On most computers that link will take you to a preview of the file. You’ll need to click on the down-arrow icon to actually download it to your computer.
If you’e using an electric cutting machine like a Cricut. . .
Upload the file to your machine.
Resize if needed. (The small square in the top left corner should be 1 inch.)
Ungroup the pieces and assign colors.
Cut.
Step 2
Trace or print the pattern onto the paper side of the fusible adhesive.
I use Heat & Bond Lite for all my quilts, and I love printable sheets because I’m lazy and hate to trace. 🙂
The image has already been reversed, so just trace or print. If you’re tracing, be sure to trace the lines separating the teeth too. You’ll need those for Step 5.
Step 3
Whoa! That’s a lot of pieces!
It’s ok – the numbers tell you what’s what and there’s a video showing how to layer them up. 🙂
Roughly cut around each shape and fuse it to the back of your fabric.
Step 4
Cut around each piece neatly.
This time you’re cutting directly on the solid lines.
Step 5
Remember back in Step 2 when I told you to make sure you traced the lines for the teeth? Now you’re going to use that. Hold the teeth up to a window so the light shines through it. You’ll be able to see all the dotted lines, and the adhesive will stabilize the fabric so you can trace on it without it crinkling up.
If you’re not using a lightbox (I am in my video), trace all the other dotted lines too using chalk or a pencil. They’ll help you position the pieces.
Step 6
If you’re doing Quilt As You Go (I did) then you can quilt your block before adding the applique. So easy!
Cut your background fabric and a piece of 100% cotton batting 11 inches square.
Layer the block with a piece of 100% cotton batting. Quilt any pattern you like!
I prefer to quilt my blocks before I applique. These posts show how I do that, along with lots more info. Start with them.
Some people prefer to quilt after they applique. This post features a gallery of lots of quilt patterns with video instructions showing you how to work those patterns around applique you’ve already done. Of course, you can also stitch these designs before you applique.
If you’ll do the quilting later, simply skip this step.
Step 7
Peel off the paper backing and arrange the pieces on a background block.
Fuse the pieces in place, following the instructions for whatever brand of adhesive you used.
This video has detailed instructions for layering all those pieces and also shows the finished block.
Step 8
Outline all the pieces with black thread and a simple straight stitch – or choose your favorite decorative stitch.
In my never-ending quest to to make applique as easy as possible, I recently bought a light box.
Wow!
My mind is blown!
No more tracing those placement markings to the right side of the fabric. (***ahem*** I may have mentioned here how much I hate to trace.)
This makes layering applique SO EASY and SO ACCURATE!
How did I not get one of these sooner?
Somehow I had it in my head that this was going to be a Very Expensive Purchase.
The one I bought is 15.5 inches x 11.8 inches and cost $26.99. I’m going to use it a kajillion times just in the next year, so that is well worth it to me.
Those are both affiliate links to Amazon. If you buy something using them, I get a small commission at no extra cost to you – but if you have a local store that sells these things, please support them!
Want to see how awesome it is in action? You’re going to love this!
Wow!
I’m going to say it again – wow!
This makes the process so easy! Especially for folks who are using cutting machines and have had a bit more of a laborious process to transfer those placement markings in the past.
I know some of you have been using a light box forever and can’t believe I didn’t know already how awesome they are.
I’m usually really slow to use new gadgets. I just don’t want a studio full of tools I’ll rarely use.
I’ve used a light box exactly once before – in a Craftsy class I taught several years ago. It was really huge and cumbersome and not something I had space for in my studio. I had no idea how slim and lightweight and inexpensive they are now!
Moving forward, all of my patterns will have numbers on the reference images and corresponding numbers on the template pieces.
I’m in the process of a year-long project to update all my quilt patterns. That update will include adding SVG files for use with cutting machines, and these numbered templates.
I’ll continue to include the placement markings for those who don’t want to get a light box. You can find a tutorial showing how to do that method here.
Update! One thing that can be tricky about using a lightbox is if you’re working with very dark fabrics AND you need the light to show through several layers. If this is the situation you’re in, you can actually fuse your faces in batches, so you never have to see through more than one layer of fabric at a time. I demonstrate this with the Billy Bison pattern made in very dark purple fabrics.
For those of you about to get a new light box – enjoy!!!
Here are links to all the posts showing how to applique with fusible adhesive – my favorite method. It’s fast and easy and (with the right materials) it holds up beautifully to rough use and repeated washing.
I get a lot of questions about sewing machine feet. Mostly people want to know one of two things. What kind of specialty feet should they buy for their machine? And do they really need to have a walking foot?
Well – it all depends on what you want to sew!
There are so many specialty feet out there! I have a few I’ve bought for specific projects – a ruffling foot when my daughter was little and liked ruffles and gathered skirts, a piping foot for I-don’t-even-remember-what. You get the idea.
But there are a few feet that I use ALL THE TIME – and they’re what I want to talk about here.
Zipper Foot
I don’t sew much clothing, but I do like to make little zippered pouches and pillows with zippered backs. A zipper foot is pretty essential if you’re going to sew zippers. I guess technically you can do without it – but I wouldn’t want to. 🙂 The good news is that most machines come with a zipper foot, and if yours doesn’t, there are lots of inexpensive universals available.
A zipper foot is also really handy for sewing piping or other fancy trims where you want to sew right up against a chunky bit.
If you like to machine quilt, a walking foot is essential. Basically, what a walking foot does is give you feed dogs that sit on top of your fabric, pulling it through at the same rate as the feed dogs built into your machine below the throat plate. This keeps the top and bottom layers feeding evenly through the machine. Genius!
A lot of fancier machines now have a built-in walking foot, but there are universals available for every brand and some of them are pretty inexpensive. I highly recommend getting one!
This isn’t one of the essential sewing machine feet, but I really love it for when I want to be super precise in my seam allowance.
Here’s what mine looks like.
That weird piece sitting beside the foot actually screws into the machine and becomes a wall that you butt your fabric against, to help you get an exact 1/4-inch seam allowance (or whatever depth you set it to). This is perfect for joining quilt blocks – especially for quilts with half blocks and double blocks where the seam allowance needs to be really accurate.
For some machines, the quarter-inch foot has the “wall” built right into the foot, but those aren’t adjustable. They ONLY do a quarter inch seam allowance.
I saved my very favorite sewing machine foot for last – a clear applique foot.
If you do ANY machine applique (or any topstitching or edgestitching) this foot is absolutely necessary.
Here’s what a typical sewing machine foot looks like.
It’s metal and it might have a small opening like this one – but you can’t see much. And there’s very little visibility where the needle is actually going in – that smaller slot behind the main “toes.” It’s REALLY hard to see where you’re stitching with this foot.
Here’s a clear applique foot.
Look at that! The base of the foot is made entirely of clear plastic – giving you total visibility as you stitch. That ability to see what I’m doing is what allows me to outline applique shapes like this so neatly.
All of my quilt patterns have links to video tutorials teaching you any skill you’ll need to make that pattern. Basically – my patterns are really workshops just disguised as patterns. 🙂
You can work your way through all the lessons using any of my patterns.
So where do you start?
Here’s a quick rundown of a bunch my patterns, arranged by difficulty.
You do not HAVE to start with one of the easiest patterns!
I’m a big believer in choosing a pattern that really excites you and then just taking it slow enough to learn as you go. But that’s my learning style and you know your own style best. How comfortable are you with fiddly bits? Does making a mistake ruin all the fun for you? Do you like to sew really fast and going slow makes you want to stab things?
Think about what makes sewing fun for you and choose your pattern based on that.
The Very Easiest
These patterns have very few parts, all on the biggish side, and are easy to cut, arrange, and stitch.
This is where most of my patterns fall. They tend to have a few more pieces than The Very Easiest patterns, which means there’s a bit more arranging and stitching. But they are not in any way HARD. You can absolutely start with any of these.
These blocks are just as easy to applique as all the Easy blocks – it’s the assembly into quilts that makes them a smidge more difficult. These quilts break out of the basic square grid by including half blocks or double blocks, or adding sashing. Again – these aren’t hard – you just can’t assemble them on autopilot. 🙂 You can make any of these quilts into a basic Easy quilt by leaving out the rectangle blocks or sashing and assembling them on a basic grid.
These quilts have a few more pieces for many of the blocks, and usually a few smaller pieces than the Easy quilts. It also includes a couple of Mix & Match patterns which will push/encourage your creativity a bit more than a regular pattern. Paper Dolls is the most challenging pattern in my collection, with lots of small, fussy pieces and mix & match possibilities – but holy cow is it fun! If you’re up for the challenge, you can even start with that one. 🙂
This isn’t anywhere near all of my quilt patterns – but it gives you an idea of what kinds of things make one pattern more or less difficult than another.
Here’s a list of links all about choosing a quilt pattern – and even designing your own!
Want to add a baby to any block in my quilt patterns?
It’s easy!
You just need to print the baby at a reduced size!
There’s a post here with more info. (scroll down to the section called “Print at 100% Size – No Scaling”)
In a nutshell – tell your printer you DON’T want to print at 100%.
Here’s an example of my print screen. The exact layout and terminology will be different for every printer and operating system, but they all have the same basic info.
In order to print patterns at the “correct” size you make sure the scale is set at 100% – but really you can set it at anything you like!
How do you know what size to use? Well, that takes a little trial and error and I recommend doing some test printouts on inexpensive paper before you print on your fusible adhesive. Here are some samples I tried for my cats. In all the samples below, the mama is printed at 100% size – I just changed the size of the baby.
Here’s a mama at 100% and a baby at 90%. Too close. It looks more like a mama and papa – which would also be fun!
Here’s the mama at 100% with the baby at 80%. Maybe the baby is a teenager?
Here the mama cat is 100% and the baby is at 70%. This is getting closer to what I was imagining.
Here the baby is printed at 60% size. This might be perfect! But I’m going to go down one more step just to see. The eyes might be too small to work with if I go smaller.
This is it! The baby is printed at 50% to make a tiny little kitten. The eyes are JUST big enough that I can still applique them, and I love the look.
And here’s the link to the Cuddly Cats quilt pattern where this cutie is just one of the fourteen cats included. But you can do this with any blocks from any of my applique patterns. Just play around with the sizes until you’re happy with the look you get!
Here are links to all the posts showing how to applique with fusible adhesive – my favorite method. It’s fast and easy and (with the right materials) it holds up beautifully to rough use and repeated washing.
Fusible applique is my favorite applique method. It’s fast and easy and it really lets me play with my designs.
I’ve been using this method for some time now, and I’ve refined the method I use. The most recent big change was adding SVG files to my patterns for use with electric cutting machines like Cricut and Silhouette – and that meant a change in how I design some of my template pieces.
Time for a new tutorial! This video shows all the steps for how I do fusible applique. It’s on the long side, and I mention several other tutorials, so scroll past the video for a list of topics at each timestamp, and all the links I mention in the video.
I give a quick nutshell view of my method. Visit this post for much more detailed info – Quilt As You Go: Everything You Need to Know. I also mentioned the following tutorials.
Printing or Tracing the Pattern onto Fusible Adhesive (5:33)
I use Heat & Bond Lite for all my quilts. You can get it at most big box fabric stores, either in a roll, by the yard, or in printable sheets. All of my applique patterns are formatted to work with the printable sheets.
Rough Cutting and Clean Cutting the Applique Pieces (7:15)
I show what I mean by rough cut and clean cut in my patterns, and explain why rough cutting, then fusing, then clean cutting gives you the best results.
I mentioned that I use the same artist’s eraser to clean my cutting mat. Here’s more info about that – How to Clean a Fuzzy Cutting Mat
If you want to skip the placement markings, there’s a tutorial here showing how to get perfect placement without them.
Layering and Positioning the Fusible Applique Pieces (14:43)
I show how I layer all the pieces together – with extra info about how to mark your fusible adhesive to help you get a directional pattern to run in different directions to help create contrast between overlapping pieces. (Look at the legs on the chameleon block at the top of this post to see what I’m talking about here.)
I do love fusible applique – and I hope this helps you love it too. 🙂
Here are links to all the posts showing how to applique with fusible adhesive – my favorite method. It’s fast and easy and (with the right materials) it holds up beautifully to rough use and repeated washing.
